mr. schmuck`s farm Black Stepdad pani k video hildur gudnadottir ATK guitar improv beautiful new born children hip young things reinhold friedl electronic music claas großzeit fuchs & beckett A S S zeitkratzer Oren Ambarchi soundtrack die ANGEL trip shrubb real time christopher uhe video clip new album Einstürzende Neubauten noise improv psychedelic joanna dudley improvised music dance acoustic versions Station 17 improv field recordings schneider fm locust fudge filmmusic free download tuesday weld Improvisation ambient experimental Bureau B super reverb Freeform schneider tm und lustfaust drone Noise Construction Sounds Takehito Koganezawa Pan sonic Jochen Arbeit exclusive audio Guitar Sounds Ilpo Väisänen Angel Live Tomoko Nakasato kptmichigan Dirk Dresselhaus Schneider TM

REMAINDER O.S.T.

Coming up in January 2018 as LP+CD / download on Song Cycle Records:
REMAINDER Original Motion Picture Soundtrack by Schneider TM.

Schneider TM – Zoomer Cassette Reissue

Schneider TM – ZOOMER Cassette Reissue

Schneider TM’s ZOOMER (2002) is going to be released as cassette tape in January 2018 by Dazzleships Records.

LOCUST FUDGE – Rock Paintings

Locust Fudge – Rock Paintings

After 20 years in space, LOCUST FUDGE are back with their new album OSCILLATION, which will be released in April 2018 as LP+CD/download via play loud!.

To bridge the waiting time, they gave us ROCK PAINTINGS:

die ANGEL – Silvaticum

Taken from the album ‘Entropien I’ by die ANGEL (Ilpo Väisänen & Dirk Dresselhaus w/ guest contribution by Oren Ambarchi) released on Oct. 6th 2017 as LP & download by Cosmo Rhythmatic.

Analogue video synthesis and vector rescanning by Nathan Thompson.

die ANGEL – Silvaticum

Taken from the album ‘Entropien I’ by die ANGEL (Ilpo Väisänen & Dirk Dresselhaus w/ guest contribution by Oren Ambarchi) released on Oct. 6th 2017 as LP & download by Cosmo Rhythmatic.

Analogue video synthesis and vector rescanning by Nathan Thompson.

New Album by die ANGEL : ENTROPIEN I

Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus (aka Schneider TM) have announced Entropien I, a new album dedicated to Pan Sonic partner Mika Vainio, who died earlier this year.

Released under the name die ANGEL (an updated name to their Angel project), the album “breaks down the soul of noise” and features multi-instrumentalist Oren Ambarchi on two tracks.

Entropien I is the duo’s first full-length since Vainio’s death and will be released on Shapednoise’s label Cosmo Rhythmatic. In 2015, the label released a collaborative album from Vainio and French electroacoustic composer Franck Vigroux.

LP & download available via Boomkat.

Stream tracks from the new album by die Angel via The Wire. or Soundcloud:

Dirk Dresselhaus (Schneider TM) – film music showreel


All film music composed, recorded & produced by Dirk Dresselhaus.
This showreel contains excerpts of following movies:
- Remainder (Directed by Omer Fast) – In der Überzahl (Directed by Carsten Ludwig) – 66/67 (Directed by Ludwig & Glaser) – Polizeiruf 110 – Grenzgänger (Directed by Jakob Ziemnicki) – Continuity (Directed by Omer Fast).

Conrad Schnitzler / Schneider TM: Con-Struct

CONRAD SCHNITZLER / SCHNEIDER TM: CON-STRUCT is available now as CD, vinyl & digital via Bureau B in cooperation with MWM.

The German pioneer of electronic music Conrad Schnitzler (1937–2011) amassed a vast archive of sounds for use in combination with each other in live performances. In 2011 the idea came up of con-structing new compositions, not remixes, from this material. The Con-Struct series was born. The second release of the series features con-structions by Schneider TM. “I am very happy and honored to be invited to do an album for the Con-Struct series and wanted to do something special and genuine in this posthumous collaboration with Conrad Schnitzler. I wanted to get as close to his spirit as possible, so I created a musical situation as if we were actually collaborating together in the same room, with Conrad playing his pre-recorded sound-files or modular system and me dubbing and processing it live on the fly… almost as if it was a live-concert situation.”